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The Sacrifice

 

Two brothers play out their fantasies with an enigmatic young woman. But what appears to be a game turns into tragedy as desire shows her true face...
 

Fusing rapid-fire dialogue and brutal poetry with visual beauty and live music: when Salome's kiss transforms desire into sacrifice.


Director's Notes

 

The Sacrifice is a British play which continues John Ford’s tradition of poetic language and violence (with its two main influences being the unfairly neglected Love’s Sacrifice and the more popular Tis Pity she’s a whore).

 

It confronts the idea of having to “give something up to get something else” - only in this case we are dealing with human emotions and family history - in a time where the one who can survive, is the one who can protect himself.

Howard Barker wrote that “morality is created in art by exposure to pain and the illegitimate thought”. In this light, The Sacrifice is a parable as opposed to a tragedy or a fantasy, but its essence still lies in desiring the “untouchable”.

 

In a rare love triangle, with a modern thirsty-for-security Salome, the characters are dreamers of reduced responsibility – they refuse to own up to reality – and their only weakness is their fear of the “dark”, or of being alone.

 

But still, three is a difficult number. If this was a real game - only one of the three could be the winner. Oliver Emanuel bitterly stresses that “Love doesn’t last forever, love doesn’t last”- let alone the fantasy...


CAST
Jay : TRISTAN MACKAY
Kay : ADAM J DAVIES
Marina : JESSICA KINGSLEY


PRODUCTION TEAM
Director/Producer : George Rodosthenous
Assistant to the Director : Adam J Davies
Choreographer : Adam Joseph Tindall
Set and Costumes : Jessica Kingsley
Music by : George Rodosthenous
Stage Manager : Sarah Foley

 

 

 

     
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